Recent Courses

Sabrina @xsabiex provides the make-up at our Edinburgh course (16-19 Oct 2017)

Neck injuries are often difficult to photograph. Too many curved surfaces and shadows! (Edinburgh Course, 16-19 Oct 2017)


Sabrina @xsabiex works her magic on Soren Moore’s wrist: hands and wrists are common sites for injuries (Edinburgh Course, 16-19 Oct 2017)


Facial abrasions are very frequently seen. (Edinburgh Course, 16-19 Oct 2017)


Injuries behind the ears can be tricky to document as the ears tend to get in the way! (Edinburgh Course, 16-19 Oct 2017)


“You should see the other guy…” Black eyes are another common injury. Always remember to take the photos with the eyes open and the eyes closed, but tell the patient “Don’t screw your eyes up.” (Edinburgh Course, 16-19 October 2017)


With his extensive film and TV career going from strength to strength, Jason looks relaxed being made-up by Bella Larter (Portsmouth Course, 4-6 Dec 2017)

“Melanoma” of right cheek. Biopsy revealed highly-aggressive latex. (Portsmouth Course, 4-6 Dec 2017)





Clever stuff from Bella Larter (Portsmouth Course, 4-6 Dec 2017)
“Houston… we have a problem.” (Portsmouth Course, 4-6 Dec 2017)
Soren flashing at Rebecca A. (Portsmouth Course, 4-6 Dec 2017)

Rebecca A laughing about it (Portsmouth Course, 4-6 Dec 2017)
Soren shows Lyndall his holiday snaps. (Portsmouth Course, 4-6 Dec 2017)

Incised wounds may have ragged edges, depending on the blade edge. (Portsmouth Course, 4-6 Dec 2017)
Rebecca W trying to establish if it’s the right or left hand. (Portsmouth Course, 4-6 Dec 2017)
Jason on bended knee. (Portsmouth Course, 4-6 Dec 2017)













Chloe Santiago performs her make-up wizardry on Alain! (London Course, Jan 2018).
The group photographing each other, mock injuries and mannequins.


Remember to look out for background clutter: once noticed, it’s difficult to un-notice. Move the subject, move the clutter, move yourself, or do all three! (London Course, Jan 2018).


Try to centralise the area of concern and consider removing jewellery: it can take your attention away from the real area of interest. (London Course, Jan 2018).

Linear scales are always difficult to place in curved areas. A shadow between the scales and the skin suggests that the scales were not flush with the skin. (London Course, Jan 2018).


“Fill the frame”. If something lends itself to portrait or landscape, hold your camera accordingly, otherwise you’ll end up with a lot of wasted space in the background. (London Course, Jan 2018).


Consider background sheeting… (London Course, Jan 2018).


A simple matt plastic sheet of a neutral colour can make a real difference. It’s easily cleaned between patients and should not reflect flashlight. (London Course, Jan 2018).

Avoid mergers! Jen looks unimpressed that Khalid is growing out of her left shoulder. (London Course, Jan 2018).


Keep the camera perpendicular to the skin, to avoid angular distortion. (London Course, Jan 2018).


Align the scales as best fits the area of concern, and not at an angle as demonstrated here… (London Course, Jan 2018).


Many injuries and lesions have a natural length and width. (London Course, Jan 2018).


Yvain demonstrating how to hold the camera and scales at the same time: can be difficult and cause camera shake! (London Course, Jan 2018).


Remember to tell the patient how you want them positioned for the photos: you are in control of the situation. Tara definitely in control here! (London Course, Jan 2018).


Nishat and Soren compare the images from SLRs with other cameras (e.g. compacts, bridge, smartphones): a useful exercise that we carry out on the course. (London Course, Jan 2018).


Try not to obscure the surrounding landmarks. It can make it difficult to interpret the image. Always check your photos for blurring and repeat if required. Do NOT delete bad photos if required for forensic cases as you may be questioned as to what you’ve done with them. (London Course, Jan 2018).


Sides of noses are another tricky one: make sure you don’t poke the patient in the eye! (London Course, Jan 2018).

Blistering of the hands is a common injury: consider photographing the other hand for comparison. (London Course, Jan 2018).


The circle on the scales appears round, suggesting that the camera was held perpendicularly to the skin. If taken at an acute angle, the circle appears more elliptical. (London Course, Jan 2018).


Red, green and blue balls… (London Course, Jan 2018).


Appear different shades in different lights… (London Course, Jan 2018).


And with different “White Balance” settings. (London Course, Jan 2018).


Using the viewfinder (rather than holding the camera at arm’s length, and viewing the monitor) reduces camera shake as the camera is held more closely to the body. (London Course, Jan 2018)


When photographing the chin or neck, you may need to get the patient to hyperextend the neck and also bend yourself down (London course, March 2018).
If using background sheeting, make sure that there are no visible creases (London course, March 2018).


Web-space injuries can be tricky: stretching the fingers can open wounds and make things uncomfortable for the patient. Getting the scales in the plane of the injury can be a problem (London course, March 2018).
When photographing behind the ear, don’t place the scales in front of the ear: the injury will appear smaller than it truly is (London course, March 2018).

The orbital ridge produces shadows which can make a bruise appear worse than it actually is (London course, March 2018).
Soren: lost for words at the very high quality of the students! (London course, March 2018).




Make sure that your neck strap doesn’t fall forwards at the critical moment. (London course, March 2018).
Check your images as you go along. If the scales cover the area that you are photographing, repeat the photo. Consider hair grips to retract the hair. (London course, March 2018).

Don’t be scared to photograph the patient in different positions, e.g. with hand photography, try the hand flat as well as if holding a pint. (London course, March 2018).
The circle on the scales appears elliptical: either the scales weren’t held properly or the camera wasn’t perpendicular. (London course, March 2018).
Shoulder photography: you need to get above the patient. Either get them to lie or sit down, unless you’re prepared to stand on a sturdy chair! (London course, March 2018).
When photographing hands, straighten the fingers…
… to give a more realistic appearance. (London course, March 2018).
If the area is obscured by hair, consider asking the patient’s consent to shave the area. (London course, March 2018).Kate appearing confident in the spotlight! (London course, March 2018).
Group work (London course, March 2018).

When photographing shiny, reflective surfaces such as moist skin, plastic surfaces or computer screens…
…a polarising filter applied to the front of the lens can reduce glare (London course, March 2018).
Photographing the photographer photographing the photographer: Adalina, George and Soren. (London course, March 2018).
Photographs or body diagrams? Let’s move with the times: good documentation can help victims achieve justice. (London course, March 2018).
Gloves should be used when retracting tissues, but they can alter the feel of the buttons on the camera. Keeley and Carl. (London course, March 2018).